The Themes of the German Lied from Mozart to Strauss (Studies in the History and Interpretation of Music)

by Peter Russell

Publisher: Edwin Mellen Press

Written in English
Cover of: The Themes of the German Lied from Mozart to Strauss (Studies in the History and Interpretation of Music) | Peter Russell
Published: Pages: 451 Downloads: 786
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Subjects:

  • Composition & orchestration,
  • Romantic music (c 1830 to c 1900),
  • Vocal music,
  • c 1800 to c 1900,
  • German Literature,
  • Musical Interpretation,
  • Music,
  • Biography / Autobiography,
  • German,
  • Germany,
  • Composers & Musicians - Country & Folk,
  • European - German,
  • General,
  • Folk poetry, German,
  • German poetry,
  • Literary themes, motives,
  • Songs, German,
  • Themes, motives
The Physical Object
FormatHardcover
Number of Pages451
ID Numbers
Open LibraryOL10971635M
ISBN 100773472932
ISBN 109780773472938

- Explore Gypsy Thornton's board "The Magic Flute", followed by people on Pinterest. See more ideas about the magic flute, flute, art pins. Richard Strauss (11 June – 8 September ) was an outstanding German Romantic composer. He had two musical gods – Mozart, whose music was a benign influence as Strauss came to maturity. Mozart's opera "The Impressario" starred Caterina Cavalieri, mistress of this alleged Mozart foe. World Book says this German "is considered the greatest genius of Baroque music" This Viennese composer's "Gretchen At The Spinning Wheel" marks the rise of the German Lied. Strauss tied with Handel as the eighth most-performed opera composer from any century over those five seasons. [9] Over the five seasons from /09 to /13, Strauss's top five most-performed operas were Salome, Ariadne auf Naxos, Der Rosenkavalier, Elektra, and Die Frau ohne Schatten. [10] Lieder and choral. All his life Strauss produced.

Some added info. If attendig the Musikverein - an added pleasure for the intermission- is the chance to reserve your place for a small snack with the famous Gerstners.. You book ahead - at least 24 hours with a menu of your wish - then it awaits you at a place to make quite an added thing for your visit. Vier letzte Lieder (Four Last Songs): Strauss’ final composition, one of the most beautiful of all song cycles, presents a moving farewell to life, love and beauty. Other Songs: Strauss composed over individual songs, including some of the finest examples of German Lieder.   Voting for the "best German of all time" got off to a shaky start yesterday after the Austrian ambassador to Germany complained that Wolfgang Amadeus Mozart, whose name appears on .   In the early s, Strauss did not join the Nazi party. For reasons of expediency, however, he initially cooperated with the early Nazi regime in the hope that it would promote German art and culture. Much of Strauss's motivation in his conduct during the Third Reich was, however, to protect his Jewish daughter-in-law and grandchildren from persecution.

Spanisches Lied, song for voice and piano (by ) Arranged for solo piano as No.3 of 3 Lieder von Dessauer, S/3 (–47) Zwei Wege ("Sie stand des Abends am Gartenzaun"), song for voice and piano (by ) Arranged for solo piano as No.2 of 3 Lieder von Dessauer, S/2 (–47) Diabelli, Anton (–). Find Elisabeth Schwarzkopf discography, albums and singles on AllMusic.

The Themes of the German Lied from Mozart to Strauss (Studies in the History and Interpretation of Music) by Peter Russell Download PDF EPUB FB2

This is the first study systematically to map and classify the major German lieder according to the themes of their texts. It also traces in detail the extent to which each theme as evolved from German folk-song, or derives from elsewhere, notably the Romantic movement. This analysis also affords new insights into the differing personalities of the major lieder : Russell, Peter.

: The Themes of the German Lied from Mozart to Strauss (Studies in the History & Interpretation of Music) (): Russell, Peter: BooksCited by: 2.

: The Themes of the German Lied from Mozart to Strauss (Studies in the History & Interpretation of Music) () by Russell, Peter and a great selection of similar New, Used and Collectible Books available now at great : Russell, Peter.

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The Themes of the German Lied from Mozart to Strauss Hardcover – March 1 by Peter Russell (Author) See all formats and editions Hide other formats and editions.

Amazon Price New from Used from Hardcover "Please retry" — CDN$ CDN$ Hardcover from CDN$ Author: Peter Russell. Themes of the German Lieder: From Mozart to Strauss Russell, Peter pages This is the first study systematically to map and classify the major German lieder according to the themes of their texts.

In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a introductory chronicle of this fascinating genre.

German Lieder in the Nineteenth-Centuryprovides a detailed introduction to the German ing with its origin in the literary and musical cultureof Germany in the nineteenth-century, thebookcovers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources The Themes of the German Lied from Mozart to Strauss book lieder, the historical and conceptual issues of song cycles, and issues of.

Die Fledermaus, (German: “The Bat”) operetta by the Austrian composer Johann Strauss the Younger (German libretto by Carl [or Karl] Haffner and Richard Genée) that premiered in Vienna on April 5, It is the best-known stage work by Strauss, whose fame rested mainly on his ballroom dance pieces.

Strauss continued to produce a highly varied body of operatic works, often with libretti by the poet Hugo von Hofmannsthal. Other composers who made individual contributions to German opera in the early 20th century include Alexander von Zemlinsky, Erich Korngold, Franz Schreker, Paul Hindemith, Kurt Weill and the Italian-born Ferruccio Busoni.

(Music Minus One). Perform timeless Lieder with accompaniment from John Wustman, pianist for Pavarotti. Perfect for practice, rehearsal, auditions, performances and more.

Richard Strauss's Lieder represent the high-point of German Romanticism and are sublime examples of the vocal : Paperback. The lied (/ l iː d, l iː t /, plural lieder / ˈ l iː d ər /; German pronunciation: plural, German for "song") is a term in the German vernacular to describe setting poetry to classical music to create a piece of polyphonic music.

The term is used for songs from the late fourteenth or early fifteenth centuries or even to refer to Minnesang from as early as the 12th and 13th centuries.

Original Works. Trv numbers for works are cited from: Franz Trenner, Richard rzeichnis, 3rd edition (Munich, ).; AV numbers for works are cited from: E. Müller von Asow, Richard isches Verzeichnis (Vienna, ).; Click on the column headings to sort by opus/catalogue numbers, or year of composition, or alphabetically by title.

Hermann Abert's classic biography, first published in German more than eighty years ago and itself based on the definitive mid-nineteenth century study by Otto Jahn, remains the most informed and substantial biography of Mozart in any language.

The book is both the fullest account of the composer’s life and a deeply skilled analysis of his music.3/5(2). Richard Strauss, an outstanding German Romantic composer of the late 19th and early 20th centuries. His symphonic poems of the s and his operas of the following decade have remained an indispensable feature of the standard repertoire.

Strauss’s father, Franz, was the principal horn player of. Lied (pronounced “leed”) is the German word for “song” (the plural is Lieder – pronounced “leader”).

The word Lied is used in music to describe the songs that were written by German-speaking composers of classical composed by classical composers are sometimes called “art songs”.

Lieder are normally songs for a singer with piano accompaniment. Together with Malven, also composed inthe songs later published as Vier Letzte Lieder are Strauss’ final completed composition is steeped in regret and acceptance but definitely not in despair. It prominently features a solo horn (played with intensity by Denys Derome) in what might have been a tribute to the composer’s late father.

Catalogues. Only 88 compositions by the German composer Richard Strauss (–) have been assigned opus numbers; these numbers are shown in the table below in the column "Op."Two volumes of a catalogue of the remaining works were published by Erich Hermann Mueller von Asow (–) in After von Asow's death Franz Trenner [] (d.

) and Alfons Ott (d. ) published the. 🎧 Listen to our playlist on Spotify: 🎬 Watch Hollywood Award-Winning Film "Interlude in Prague", Mozart in love: https.

Get this from a library. Opera & ideas: from Mozart to Strauss. [Paul A Robinson] -- In this thoughtful study, historian and opera lover Robinson relates music to the history of ideas by analyzing several major operas: The Marriage of Figaro, The Barber of Seville, Les Troyens, Don.

Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss-- Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder.

Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Richard Strauss died at the age of 85 on 8 September The conductor Georg Solti, who had arranged Strauss's 85th birthday celebration, also directed an orchestra during the burial.

Strauss left a great musical legacy which had a profound influence on the development of 20th-century music.

German-language opera appeared remarkably quickly after the birth of opera itself in Italy. The first Italian opera was Jacopo Peri's Dafne of InHeinrich Schütz provided the music for a German translation of the same during much of the 17th and 18th centuries German-language opera would struggle to emerge from the shadow of its Italian-language rival, with leading.

Mein Auge, op. 37 (Sechs Lieder für 1 hohe Stimme -- für 1 tiefe Stimme mit Pianoforte) no. 4 (Text: Richard Fedor Leopold Dehmel) CAT DUT ENG FRE; Meinem Kinde, op. 37 (Sechs Lieder für 1 hohe Stimme -- für 1 tiefe Stimme mit Pianoforte) no. 3 (Text: Gustav Falke) CAT DUT ENG ENG FRE. Richard Strauss composed his Opus 10 songs in - 83, at the age of 18 and while still living in his native town of Munich.

Although Strauss had previously composed no fewer than 39 songs for voice and piano, the eight songs of Opus 10 are the first songs about which Strauss was confident enough to attribute an opus number. His Acht Gedichte aus "Letzte Blätter" (Hermann von Gilm) thus. In New York and London during World War I, the performance of lieder—German art songs—was roundly prohibited, representing as they did the music and language of the enemy.

But as German musicians returned to the transatlantic circuit in the s, so too did the songs of Franz Schubert, Hugo Wolf, and Richard Strauss. Lieder were encountered in a variety of venues and media—at luxury. Strauss, who died in September at the age of 85, is widely believed to be the finest composer in the German song tradition after Franz Schubert and.

Perform timeless Lieder with accompaniment from John Wustman, pianist for Pavarotti. Perfect for practice, rehearsal, auditions, performances and more. Richard Strauss's Lieder represent the high-point of German Romanticism and are sublime examples of the vocal art.

The Book of Lieder, edited by Richard Stokes and with a foreword by Ian Bostridge, is an invaluable collection of over a thousand classic Lieder, in parallel German and English text. Synopsis This unique volume contains, in parallel translation, a thousand of the most frequently performed Lieder, both piano-accompanied and s: The Mozart Week’s propagandistic function is especially visible in the press coverage it received both within the Reich and abroad.

A press service was created to supply journalists with relevant information and to coordinate the publication of resulting articles, 47 and according to the lists kept by the Viennese organizers, over two hundred reporters were sent to Vienna to cover the week.

BOOK IT/METAMORPHOSEN AND MOZART WITH HANS GRAF; WHERE Sistic Live. WHEN Available until 8pm. ADMISSION Pay-as-you-wish, $10, $20, $30, $50 via Sistic (call or go to   Strauss & Mozart Concerts At The Kursalon Wein.

Julia Roberts Acts Out Her Film Career w/ James Corden - Duration: The Late Late Show with James Corden Recommended for you.The Fischer-Dieskau Book of Lieder: The Original Texts of Over Seven Hundred and Fifty Songs.

A/M REFER MLF57 ; This resource contains line by line translations of German songs by various composers. The following indexes are included in the back of the book: composer, poets and translators, and title and first line.